Ukrainian intelligence services have intercepted thousands of phone calls Russian soldiers made from the battlefield in Ukraine to their families and friends in Russia, painting a stark picture of the cruelty of war in a dizzying emotional tension. Juxtaposed with images of the destruction caused by the invasion and the day-to-day life of the Ukrainian people who resist and rebuild, the voices of the Russian soldiers – ranging from being filled with heroic illusions to complete disappointment and loss of reason, from looting to committing more horrible war crimes, from propaganda to doubt and disillusionment – expose the whole scope of the dehumanizing power of war and imperialist nature of the Russian aggression.
SCREENINGS & AWARDS
World Premiere: Berlin International Film Festival – Forum Section 2024
2024 Thessaloniki IDFF (Greek Premiere)
2024 CPH:DOX (Danish Premiere)
2024 Docville (Belgium Premiere)
2024 Hong Kong IFF (Asian Premiere)
2024 New Directors / New Films (North American Premiere)
2024 ZagrebDox
Upcoming: BAFICI – Buenos Aires International Independent Film Festival (April 17-28), Hot Docs (April 25 – May 5), Crossing Europe (April 30 – May 4), Beldocs (May 22-29), Krakow Film Festival (May 26 – June 2)
AWARDS
- Special Mention for Amnesty International Film Award at Berlin International Film Festival 2024
- Special Mention by Ecumenical Jury at Berlin International Film Festival 2024
- Special Mention in Documentary Competition at Hong Kong IFF 2024
PRESS
Reviews: Indiewire, Criterion – The Daily, Variety, New York Times, Filmmaker Magazine, Unseen Films, The New York Sun, Book and Film Globe, J.B. Spins, Eye for Film, Hammer to Nail, The Film Stage, Novaya Gazeta, FLM, Indie Eye, The Film Verdict, Ubiquarian, International Cinephile Society, Journey into Cinema, Cineuropa, Screen Daily – Acquisition Announcement
Interviews: Filmmaker Magazine, Voice of America, Voice of America TV, East Journal, Vita, il Manifesto, Business Doc Europe
***
““The movie’s stylistic tension, between images of life being lived (or having been lived), and disembodied voices portending death, connects the dots between ideology and action, between propaganda and bloodshed.” … “it points its microphone unflinchingly at the darkest parts of the human soul, while forcing the viewer to hold the camera and search for the brutality within its images and empty spaces. It makes the audience, and their recognition, a necessary ingredient to portraying the bigger picture.”
Siddhant Adlakha, Indiewire
***
“The terrific Ukrainian documentary is an austere and harrowing chronicle of life, death and indifference.”
Manohla Dargis, The New York Times
***
“Considered in light of Karpovych’s previous dispatches on the war for Al Jazeera’s 24-hour coverage, it’s worth highlighting the cinematic distinction, and most importantly, the visual and pictorial intelligence, of what we see. It chimes with a trend in depictions of wars and atrocities to show them – if that at all – in a deferred, oblique manner: it’s the finger on the trigger, and then the dissipating smoke, with the explosion itself erased.“
David Katz, Cineuropa
***
“Interecepted is a heavy, hair raising watch that brings the terror of war to the viewership without a stain of blood. Executed with technical precision and with carefully selected images to accompany the excerpts of phonecalls, it creates the tension which does not ebb away until the film’s final scene.”
Marina D. Richter, Ubiquarian
***
“This is a powerful evocation of the horrors of war. The stark absences stir the darkest recesses of the human imagination.”
Redmond Bacon, Journey into Cinema
DIRECTOR’S BIOGRAPHY & FILMOGRAPHY
Oksana Karpovych
Oksana Karpovych is a Ukrainian-Canadian filmmaker, writer and photographer born in Kyiv. Her first feature documentary Don’t Worry, the Doors Will Open won the New Visions Award at RIDM in 2019 and received a special mention at Hot Docs 2020. In her projects, Karpovych explores the everyday life and oral histories of ordinary people and how state politics intrude into the private sphere, influencing the communities she intimately documents. Karpovych is a Cultural Studies graduate of the Kyiv-Mohyla Academy in Ukraine and a Film Production graduate of Concordia University in Montreal.
Filmography
LOST, documentary film, 6’, 2015
TEMPORARY, documentary film, 21’, 2017
DON’T WORRY, THE DOORS WILL OPEN, documentary film, 78′, 2019
CREDITS
Writer & Director Oksana Karpovych
Cinematography Christopher Nunn
Editing Charlotte Tourres
Sound Artem Kosynskyi
Composer NFNR
Sound design Alex Lane
Producers Giacomo Nudi, Rocío B. Fuentes
Co-producers Pauline Tran Van Lieu, Lucie Rego, Darya Bassel, Olha Beskhmelnytsina
Production company Les films Cosmos
Co-production Hutong Productions, MoonMan
PRODUCER’S BIOGRAPHY & FILMOGRAPHY
Giacomo Nudi
Rocío B. Fuentes
PRODUCTION COMPANY
Les films Cosmos
Montreal, Canada
info@filmscosmos.com
https://filmscosmos.com/en/
CO-PRODUCTION COMPANY
Hutong Productions
Sainte Radegonde, France
info@hutongproductions.com
https://hutongproductions.com/en/
MoonMan
Kyiv, Ukraine
daryabassel@gmail.com
https://moonman.com.ua/